“Scroll down to the end of the article to listen to music.”

Introduction

“Murder on Music Row” is a poignant song performed by George Strait and Alan Jackson that highlights the perceived decline of traditional country music in favor of more commercially driven sounds. Released as a collaborative effort between two of country music’s most iconic figures, the song resonated deeply with fans and musicians who longed for the genre’s roots. The song’s critical message and heartfelt delivery made it an anthem for purists who desired a return to the authentic sounds of country music.

The song was originally recorded by Larry Cordle & Lonesome Standard Time in 1999, but gained widespread acclaim with the release of Strait and Jackson’s version. Their collaborative performance at the 2000 Country Music Association Awards further cemented the song’s status as a powerful critique of the music industry’s shift away from traditional country themes and instrumentation.

About The Composition

  • Title: Murder on The Music Row
  • Composer: Larry Cordle and Larry Shell
  • Premiere Date: 1999
  • Album/Opus/Collection: Latest Greatest Straitest Hits (George Strait’s version)
  • Genre: Country

Background

“Murder on Music Row” critiques the transformation of country music, suggesting that the genre’s traditional elements were being “killed” by more pop-oriented influences. The song’s lyrics lament the loss of classic country themes and sounds, which were being overshadowed by a new wave of polished and commercially viable music. This sentiment struck a chord with many listeners who felt that the essence of country music was being diluted.

The original version by Larry Cordle & Lonesome Standard Time was well-received within bluegrass circles, but it was Strait and Jackson’s rendition that brought the message to a broader audience. Their recording and performance became a rallying cry for traditionalists advocating for a return to the genre’s roots.

Musical Style

“Murder on Music Row” features classic country instrumentation, including fiddle and pedal steel guitar, which are emblematic of the genre’s traditional sound. The melody is straightforward, allowing the poignant lyrics to take center stage. The harmonies between Strait and Jackson add depth and sincerity to the song, enhancing its emotional impact.

Lyrics/Libretto

The lyrics of “Murder on Music Row” tell a story of how the soul of country music has been compromised by commercial interests. The song expresses a longing for the days when storytelling and authentic sound were at the forefront of the genre. It serves as both a lament and a call to action for preserving country music’s heritage.

Performance History

A notable performance of the song took place at the 2000 Country Music Association Awards, where Strait and Jackson delivered a memorable rendition that captivated the audience. This performance was a defining moment that underscored the song’s message and further solidified its place in country music history.

Cultural Impact

“Murder on Music Row” has had a lasting impact on the country music community, often cited in discussions about the genre’s evolution. Its influence extends beyond music, as it has become a cultural reference point in debates about artistic integrity versus commercial success. The song’s critiques continue to resonate in an industry that consistently grapples with these themes.

Legacy

Today, “Murder on Music Row” is celebrated as a classic within country music. It remains an important reminder of the ongoing dialogue about the genre’s direction and the importance of preserving its traditional roots. The song’s enduring popularity highlights the significant role it plays in conversations about the identity of country music.

Conclusion

“Murder on Music Row” stands as a testament to the passion and dedication of those who cherish country music’s history and authenticity. Its message remains relevant as the genre continues to evolve. For those interested in the rich tapestry of country music, this song offers a compelling entry point for further exploration into the heart and soul of the genre.

Video

Lyrics

George Strait & Alan Jackson

(George)

Nobody saw him running from sixteenth avenue

They never found the fingerprint or the weapon that was used

But someone killed country music, cut out it’s heart and soul

They got away with murder down on music row.

(Alan)

The almighty dollar and the lust for worldwide fame

Slowly killed tradition and for that someone should hang

(George – You got that right buddy).

Well, they all say not guilty, but the evidence will show

That murder was committed down on music row.

Chorus: (Both)

For the steel guitars no longer cry and fiddles barely play

But drums and rock ‘n roll guitars are mixed up in your face

Old Hank wouldn’t have a chance on today’s radio

Since they committed murder down on music row.

Ah, tell it boys

— Instrumental —

(George)

They thought no one would miss it, once it was dead and gone

They said no one would buy them old drinking and cheating

songs

(Alan)

Well, there ain’t no justice in it and the hard facts are cold

Murder’s been committed down on music row.

Chorus: (Both)

Oh, the steel guitars no longer cry and you can’t hear fiddles play

With drums and rock ‘n roll guitars are mixed right up in your face

Why, the Hag, he wouldn’t have a chance on today’s radio

Since they committed murder down on music row.

(Alan)

Why, they even tell the Possum to pack-up and go back home

(Both)

There’s been an awful murder down on music row…